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maericks
Joined: 15 May 2002
Posts: 21
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 Posted: Fri Apr 30, 2004 8:24 pm Post subject: |
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On 2004-04-24 16:49, t.r.sanford wrote:
How do the lenses compare when used to photograph a backlit subect. with the light source visible in the scene?
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I'm waiting for more 620 spools. I'll try to do a side-by-side comparison of the two lenses (same film, same subject) when I get set up.
--Mark |
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Dan Fromm
Joined: 14 May 2001
Posts: 2144
Location: New Jersey
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| Posted: Fri Apr 30, 2004 9:45 pm Post subject: |
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On 2004-04-30 13:24, maericks wrote:
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On 2004-04-24 16:49, t.r.sanford wrote:
How do the lenses compare when used to photograph a backlit subect. with the light source visible in the scene?
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I'm waiting for more 620 spools. I'll try to do a side-by-side comparison of the two lenses (same film, same subject) when I get set up.
--Mark
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Hmm. I must have missed somethihg. Why are you waiting for 620 spools?
Cheers,
Dan |
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Henry
Joined: 09 May 2001
Posts: 1646
Location: Allentown, Pennsylvania
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| Posted: Sat May 01, 2004 8:28 pm Post subject: |
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| Because he missed the 6:15...? |
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maericks
Joined: 15 May 2002
Posts: 21
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| Posted: Sat May 01, 2004 10:24 pm Post subject: |
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On 2004-05-01 13:28, Henry wrote:
Because he missed the 6:15...?
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The 100mm F3.5 is part of a Kodak Medalist, which takes 620 film. No 620 spools means no way to take pictures on film.... |
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Dan Fromm
Joined: 14 May 2001
Posts: 2144
Location: New Jersey
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| Posted: Sun May 02, 2004 11:40 am Post subject: |
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On 2004-05-01 15:24, maericks wrote:
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On 2004-05-01 13:28, Henry wrote:
Because he missed the 6:15...?
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The 100mm F3.5 is part of a Kodak Medalist, which takes 620 film. No 620 spools means no way to take pictures on film....
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Ah. And here I'd been thinking that you were going to use the lens on a Graphic. Silly, silly, me. Thanks for the clarification.
Cheers,
Dan |
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