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primus96
Joined: 13 Nov 2003 Posts: 225 Location: Yorkshire, United Kingdom
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Posted: Tue Dec 23, 2003 10:40 pm Post subject: |
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What diameter image circle does this lens give.
The site says it covers 4x5 but the zone of best sharpness doesnt really allow for movements.
That's how I interpret the comment on this site.
How many mm of coverage is desirable to allow for movements on 4x5? |
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Dan Fromm
Joined: 14 May 2001 Posts: 2144 Location: New Jersey
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Posted: Tue Dec 23, 2003 11:22 pm Post subject: |
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On 2003-12-23 14:40, primus96 wrote:
What diameter image circle does this lens give.
The site says it covers 4x5 but the zone of best sharpness doesnt really allow for movements.
That's how I interpret the comment on this site.
How many mm of coverage is desirable to allow for movements on 4x5?
| The format's diagonal is ~ 150 mm. The more than that, the better.
Cheers,
Dan |
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Nick
Joined: 16 Oct 2002 Posts: 494
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Posted: Wed Dec 24, 2003 1:35 am Post subject: |
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How many mm of coverage is desirable to allow for movements on 4x5?
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Depends on how much movements you're using. Different types of photography will use different amounts of movements. Your camera will only have so much movements. So no real reason to have more coverage then your camera can use.
BTW if you search the google archives for rec.photo.equipment.largeformat you'll find a whole bunch of info on image circle.
[ This Message was edited by: Nick on 2003-12-23 17:37 ] |
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t.r.sanford
Joined: 10 Nov 2003 Posts: 812 Location: East Coast (Long Island)
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Posted: Wed Dec 24, 2003 6:10 am Post subject: |
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If you measure the maximum rise and shift of the "Pacemaker" front, and assume the fall (provided by dropping the bed) is the same as the rise, you can draw a rectangle whose corners are the extreme positions that the center of the lens can occupy. My very rough measurements suggest that the diagonal of this rectangle is about 76mm.
The diagonal of the useful image projected onto a sheet of film in a cutfilm holder is about 153mm. As the earlier reply pointed out, a lens has to produce an image of acceptable quality across a circle of this diameter.
If you add to this the diagonal of the rectangle described by the maximum possible front movements, you find a requirement for an image circle about 230mm. in diameter, if you expect to use the full movements for a subject at infinity. A normal lens for a 5x7 camera, like the 8-1/2-in. "Ektar," ought to provide an ample image circle.
Back in the day, the "Speed Graphics" I came in contact with and used had 135mm. lenses. We knew that there were daring souls out there using 127mm. lenses and living on the edge. The general belief was that they'd be all right if they stuck with apertures of f:11 and smaller. |
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Dave
Joined: 05 Dec 2003 Posts: 78 Location: Canada
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Posted: Wed Dec 24, 2003 6:34 am Post subject: |
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Me being the new guy here, I shouldn't butt in with my uninformed opinion, but here it is anyway.
(a) The image diagonal for 4 x 5 is about 16cm, so you need at least that image circle from a lens if you're shooting straight on.
(b) If you have a Pacemaker, at maximal rise and shift, you'll stretch the diagonal by about 2cm, so boost that up to 18cm.
(c) If you're tilting the lens standard, the image circle becomes an image ellipse at the film plane, so add maybe another 0.5cm.
Bottom line is that anything more than about 18.5cm of image circle is wasted on a Pacemaker series camera. If you ever see a good deal on something like a 135 Symmar (rare) or 150 Symmar (common), that would more than cover the limits of the camera.
Tessar type lenses (Zeiss Tessars, Ektars, Xenars) in the 127 - 135mm range make about 15.5 to 16cm of image circle, so you can barely use them on 4 x 5 if you can live with soft corners, which you'll probably crop anyway. These lenses were really optimal for quarter-plate cameras, but they were widely used on 4 x 5 with great success. (Think Joe Rosenthal at Iwo Jima.) Since you're in England, you've no doubt seen old MPPs around, many of which have 135 Xenars. |
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primus96
Joined: 13 Nov 2003 Posts: 225 Location: Yorkshire, United Kingdom
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Posted: Wed Dec 24, 2003 7:44 am Post subject: |
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If I were photographing a building of some sort and I didnt want converging verticals I would turn the camera upside down and utilise the bed drop as rise.
It seems that another lens would be a good idea if I am wanting to do this.
Anything in the 120-150mm range would do, as long as it gives around 200mm coverage.
As its for a Crown it has to be in a shutter. |
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Nick
Joined: 16 Oct 2002 Posts: 494
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Posted: Wed Dec 24, 2003 12:59 pm Post subject: |
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Quote: |
On 2003-12-23 22:34, Dave wrote:
(a) The image diagonal for 4 x 5 is about 16cm, so you need at least that image circle from a lens if you're shooting straight on.
Bottom line is that anything more than about 18.5cm of image circle is wasted on a Pacemaker series camera. If you ever see a good deal on something like a 135 Symmar (rare) or 150 Symmar (common), that would more than cover the limits of the camera.
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While 162 is the right answer for the size of a 4x5 negative you lose a little all around for the film holder. OTOH if your camera maxes out at 180mm [for example] and you get a lens that is also limited at 180 if you ever need to use that final bit it's possible the lens will be soft at it's limits. |
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Dave
Joined: 05 Dec 2003 Posts: 78 Location: Canada
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Posted: Thu Dec 25, 2003 4:43 am Post subject: |
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On 2003-12-24 04:59, Nick wrote:
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While 162 is the right answer for the size of a 4x5 negative you lose a little all around for the film holder.
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Agreed, and you're right on the money. All my numbers were a bit of an overestimate, and an image circle of 18.5cm is a bit more than a Pacemaker ever needs. A good lens for a 4 x 5 Pacemaker might be a 150 Symmar-- this would clear the corners at maximum movements with about a half inch to spare.
The bottom line is these things aren't view cameras, of course, but the movements give them great power. I only have a lowly Century, but it's a real blast shooting landscape and natural subjects with it. It's got everything I need-- a little rise, a little fall, and with 3 degrees of front tilt I've got everything from infinity to my shoes in focus. But I'm preachin' to the converted here.
You guys have a great holiday. |
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primus96
Joined: 13 Nov 2003 Posts: 225 Location: Yorkshire, United Kingdom
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Posted: Sat Dec 27, 2003 7:19 am Post subject: |
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If the Ektar 127mm doesnt quite have enough coverage into the corners for 4x5 as suggested.
Say I did a full frame enlargement of a flat subject, how big could I blow up the neg before the corners started to look noticeably soft?
My usual lens testing method is to shoot a image of a brick wall and observe the sharpness of the bricks and mortar.
What aperture gives best performance/coverage?
I would say around f16 for definition.
Any thoughts? |
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Nick
Joined: 16 Oct 2002 Posts: 494
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Posted: Sat Dec 27, 2003 3:37 pm Post subject: |
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Quote: |
On 2003-12-26 23:19, primus96 wrote:
If the Ektar 127mm doesnt quite have enough coverage into the corners for 4x5 as suggested.
Say I did a full frame enlargement of a flat subject, how big could I blow up the neg before the corners started to look noticeably soft?
What aperture gives best performance/coverage?
I would say around f16 for definition.
Any thoughts?
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http://www.hevanet.com/cperez/testing.html#100mm_thru_163mm
http://groups.google.ca/groups?hl=en&lr=&ie=UTF-8&oe=UTF-8&se
lm=9c32ap%24o0r%241%40freenet9.carleton.ca&rnum=5
That long link made a mess of everything. So I split it. Just cut and past the two lines together.
The first one is a bunch of lens tests. Ranging from very old to fairly modern. You'll notice that once you get to F/16 almost any LF lens is the equal of almost any other. At least in terms of resolution. Now that doesn't mean that dud lenses don't exist. Any discussion of lens quality can only be general. Two supposedly twin lenses may have left the factory in different quality levels or may have lived different lives. Your lens will work like your lens.
The second one lists a bunch of lenses and thier image circles. It lists the 127mm Kodak at 165mm. Actually it lists a F/4.5 but I'm assuming that's a typo.
So what does all this mean? With no movement you should be able to make 5x enlargements. Assuming your not the one hurting things. Good taking method and good printing.
Best aperture depends on lens design. If my memory is right some of the older press lenses are actually optimized at wide open or near to it. The needs of a press photographer are different then those of landscape photographer that might take hours on one exposure. Process lenses OTOH are optimized for F/22 or F/32 depending on focal length.
[ This Message was edited by: Nick on 2003-12-27 07:39 ] |
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glennfromwy
Joined: 29 Nov 2001 Posts: 903 Location: S.W. Wyoming
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Posted: Sat Dec 27, 2003 5:07 pm Post subject: |
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The 127/4.7 Ektar is a Tessar type lens. All Tessars run out of sharpness before they run out of coverage. It's their nature. This lens performs best at f:11 or smaller. It will perform satisfactorily on 4X5 but it really shines on 2X3, where it uses only the sharpest part of the circle.
Press photographers prefered this lens on 4X5 because it is slightly wide angle. But then, they weren't out to produce fine art, either.
_________________ Glenn
"Wyoming - Where everybody is somebody else's weirdo" |
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primus96
Joined: 13 Nov 2003 Posts: 225 Location: Yorkshire, United Kingdom
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Posted: Thu Jan 15, 2004 12:13 pm Post subject: |
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The lens on my Graphic exhibits tiny pin point dots between the elements of the front cell. What's going on?
I was going to remove both lens cells & give the shutter a soak in Ronsonol.
I have another lens for it, a 150mm f4.5 Xenar badged 'Linhof' on the Compur shutter. |
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45PSS
Joined: 28 Sep 2001 Posts: 4081 Location: Mid Peninsula, Ca.
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Posted: Thu Jan 15, 2004 11:14 pm Post subject: |
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Examine the tiny pin point dots with a loupe.
Air bubbles are common and part of the manifacture process, they are not a problem. Small air bubbles will resemble pin point dots.
Lens element seperation is another possibility, it can be in the form of crystalization between cemented elements. It does not degrade the image quality unless very severe.
Fungus is the last possibility and is usually described as tree branch pattern. Fungus can damage the glass. It forms on the glass and the barrel of lens. If its faint, and you suspect fungus, clean all element surfaces and barrel surfaces with straight clorine bleach and cotton swab. Coat each surface with bleach socked cotton swab, let stand 5 minutes, rince with water, blot with soft cloth and air dry.
Clean lens elements when dry.
A recent post on Photo.net suggested a 1:1 mixture of hydrogen peroxide and ammonia in place of the bleach. UV light will kill fungus also but will not remove the stains.
Charles
_________________ The best camera ever made is the one that YOU enjoy using and produces the image quality that satifies YOU. |
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glennfromwy
Joined: 29 Nov 2001 Posts: 903 Location: S.W. Wyoming
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Posted: Thu Jan 15, 2004 11:16 pm Post subject: |
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Pinpoint dots could be interpreted as a lot of things, without actually seeing it. Examine the glass with a loupe while holding it up to oblique back light. It's possible that the dots are bubbles in the glass and under magnification, you should be able to see them as such. Another possibility is bubbles in the cement. Could just be dust or tiny paint flakes between the groups.
If it's bubbles in the glass, it won't hurt a thing. If it's bubbles in the cement (not likely) it probably would have little or no effect unless severe. The rest can be cleaned. Your 150 Xenar will provide better coverage than the 127 Ektar. They are both the same Tessar
design. Xenars were HIGHLY variable in quality, from excellent to rotten. If the lens was OEM on a Linhoff, it should be very good, as they hand picked them.
_________________ Glenn
"Wyoming - Where everybody is somebody else's weirdo" |
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